Heya, book nerds! Meg here.
I had previously closed full manuscript edits, specifically, due to being at maximum capacity. Freelance editing is something I do on the side—in addition to working full-time, being a mom to a toddler, writing a book, and maintaining my own author platform (iWriterly videos, author interviews, book reviews, and more). Working as a developmental editor is something I absolutely LOVE to do. One of the joys of my heart is to help writers in their journey toward publication, whatever path they choose to pursue. However, that does mean my availabilities tend to be very limited in the folks I’m able to work with.
Since the announcement, I’m delighted to say I have received quite a few inquiries about developmental edits for a full manuscript.
On the form on my website, I ask for the following information from prospective clients:
- Editorial services you are interested in (query, synopsis, first 5 pages, first chapter, or full manuscript critique)
- Age group and genre of the manuscript
- Word count
- *If you are intending to pursue self- or traditional publishing
- Desired start date
Most of the writers who reached out to me about a developmental edit for a full manuscript have said they would like to eventually query literary agents for this manuscript (in other words, they’d like to pursue traditional publishing). While I’m delighted these authors are trusting me with their work—their book babies—I did feel a little concerned that most of the writers wanted to work with a freelance developmental editor before they query.
I’ve said this before, but I think it’s important to restate:
You don’t need to work with a freelance editor to be traditionally published.
If you’d like to work with a freelance editor to improve your craft or get experienced eyes on your manuscript (and you can financially do so) before you query, that’s completely fine! I’d love to work with you. But I think there’s a rather prominent misconception that the only way to get an agent is to work with a freelance editor first. And that’s completely false.
Do You Need to Work with a Freelance Editor?
As I stated above, it is not required to work with a freelance editor prior to querying. You can simply work with beta readers and critique partners prior to seeking literary representation. However, you certainly can work with a freelance book editor. Many writers who choose to work with freelance editors are often interested in a deep-dive into craft that they might not have gotten with their peers. If you are interested in pursuing self-publication, on the other hand, working with freelance editors is something I highly recommend.
Unlike the traditional-publishing process, self-published authors must write, edit, and launch a book without the support of a publisher (which also means without the support of an editorial team to edit the book). Therefore, in order to make a quality product, it is recommended to work with a freelance editor to polish a manuscript before self-publishing it.
When to Work with a Freelance Editor
If you’d like to work with a freelance editor (whether you’re pursuing traditional- or self-publishing), I typically recommend doing so after you’ve edited your manuscript several times on your own AND worked with beta readers and critique partners (on several more rounds through your manuscript). That way, by the time it gets to a freelance editor, we can work on high-concept concerns to get the book ready for the query trenches or self-publishing (work on character development, pacing of stakes, marketability, etc.).
Working with a freelance editor can be expensive, so I always encourage working with critique partners and/or beta readers to get as many issues addressed first. I go into this in more depth in my video When to Work with a Freelance Editor on Your Book.
Why I Will Tell a Writer They Shouldn’t Work with Me as an Editor
As I mentioned above, freelance developmental editing is something I do on the side. Although many writers want to make writing their career, one benefit of an income separate from writing (or freelance editing, in this case) is the freedom to be selective in the creative projects you take on. For me, it also allows me to think of what’s best for prospective clients first. Therefore, I will often suggest to prospective clients that working with me might not be the best option for them at this time.
Here are a few reasons why working with a freelance editor may not be the best choice for a writer (at this time):
- A writer wants to traditionally-publish the manuscript
- A writer has a limited budget
- A writer just finished the first draft of their manuscript
- A writer hasn’t finished their manuscript
- A writer hasn’t edited the book thoroughly on their own or edited it with critique partners/beta readers
- A writer has self-published book one in a series and wants to do a developmental edit of book two or another book later in the same series before querying that book
- A writer has already self-published the book they want a developmental edit on
- A writer is only seeking praise/affirmation and isn’t ready to receive constructive criticism
- A writer wants a developmental editor to rewrite the book for them (editors are not ghost writers)
- A writer wants an editor to copyedit when the manuscript requires developmental editing first
As I mentioned before, if there was enough time in the day, I’d love to work with every single writer to help them make their manuscripts the best they can be. But since most writers operate on a limited budget, I often will recommend writers work on certain things prior to hiring a freelance developmental editor in order to get the most possible out of the developmental edit.
Learn more about freelance editors:
- 10 Things Your Freelance Editor Might Not Tell You—But Should (Writer’s Digest)
- How Freelance Editors Fit into Today’s Publishing Landscape (Writer’s Digest)
- Something to Consider Before You Hire a Book Editor (Writer’s Digest)
- 5 Ways to Find the Right Freelance Book Editor (Jane Friedman)
- Working With a Freelance Editor—Part 2, the Process (Wordy Bird Studio)
Learn more about Meg’s Freelance Editing Services:
ABOUT the Author
Meg LaTorre is a writer, AuthorTuber/BookTuber, developmental book editor, and former literary agent with a background in magazine publishing, medical/technical writing, and journalism. On Meg’s YouTube channel, iWriterly, she geeks out on all things books—from the concept to the bookshelves (and everything in between). Meg also launched Query Hack, a query critique platform where writers can submit their manuscript queries or Twitter pitches for free feedback. She has written for publications such as Writer’s Digest and Savvy Authors on topics related to writing and publishing and can be found teaching online classes throughout the year. In her free time, she enjoys reading, running after her toddler, and sleeping. To learn more about Meg, visit her website, follow her on Twitter/Instagram/Facebook, sign up for her monthly newsletter, and subscribe to her YouTube channel, iWriterly.
JOIN THE BOOK NERD COMMUNITY
Stay up-to-date on Meg’s latest articles, blogs, giveaways, and iWriterly videos by subscribing to iWriterly’s NEW monthly newsletter, Book Nerd Buzz!